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One of the many initiatives on MySpace’s upcoming roadmap is a renewed focus on the applications platform, most notably surrounding games. The company announced this morning at the Game Developers Conference in San Francisco the launch of a new Games Gallery experience, a gaming-specific iPhone app, and a number of new tools and analytics for developers.

As we learned in our interview yesterday, about one-third of MySpace users currently play games daily, and the goal is to drive that number up to 50%. The new MySpace Games Gallery experience gives users a better interface for discovering, sharing and rating new titles by providing personalized recommendations, popular game charts and notifications from friends’ Streams.

A new iPhone application, dubbed Neon, lets users access their games on the go. The app provides real-time notifications that are shareable with friends, access to all games currently available on MySpace and a way to remotely install games right from the phone. A number of new social games are launching on the platform as well, including Fish Isle, Hoop Fever Live, Kingdoms of Camelot, Paradise Paintball, SPP Ranch, Warlords, Wild Ones and Zombie Revenge.

For game developers, MySpace is adding a number of new features to the platform, including a new API for analytics, a way to track how users are finding new games, access to improved performance tools for multiplayer games and integration with Unity, a powerful 3D gaming engine. The latter is part of an effort to encourage third-party developers to craft more sophisticated and visually rich game titles than the current crop of casual social titles currently in vogue on social networks (Farmville et al).

Do you play casual games on MySpace, Facebook or other social networks? Are you interested in being able to access the titles you play from your phone? Would you be interested in seeing more sophisticated games become available on social networks?

Reviews: Facebook, MySpace, iPhone

Tags: casual games, games, GDC, GDC2010, iphone, iphone apps, myspace, social games, unity, video games

The Facebook platform game FarmVille now supports the Facebook Credits virtual currency.

The popular online game uses two units of in-game currency: Farm Cash and Farm Coins. Previously, you could buy them with a credit card or PayPal. Now the game offers Facebook Credits as an option.

Facebook Credits are the number-one option, actually. They’re the default payment choice, featured at the top of the list pictured here.

We recently learned that Facebook takes 30% of developers’ Facebook Credits revenue — the same percentage that Apple takes from its iPhone and iPod touch App Store sales. Analysts have speculated that Facebook might surpass $1 billion in revenue this year, and the social network’s virtual currency could be a vital part of growth beyond that.

This new option in FarmVille is arguably bigger for Facebook Credits than it is for the game. FarmVille has more than 80 million users, making it bigger than Twitter. Exposure to an audience that large is an important milestone for the Facebook Credits project, which has been a slowly expanding experiment up until now.

Reviews: Facebook, iPhone

Tags: facebook, facebook credits, facebook platform, farmville, microtransactions, online games, virtual currency, Zynga

Today at the Game Developers Conference in San Francisco, OnLive CEO Steve Perlman revealed a U.S. launch date of June 17 and a monthly price of $14.95 for his subscription-based, on-demand video game-streaming service.

We wrote about OnLive previously when it went into beta testing. You can think about the service as essentially “Netflix Instant Queue for games,” where your monthly subscription costs gives you instant access through your PC or Mac to a library of video game titles, including high-profile new releases from launch partners Electronic Arts, Ubisoft, 2K Games, THQ and Warner Bros. At launch, we should expect between a dozen and 25 games to be live on the service, with more to come as game publishers negotiations proceed.

One of the perks of this type of system is that players don’t need to have screaming fast hardware to play the latest, graphics-intensive game titles — all that processing is done on the server side, and images are sent back to the player’s computer (or OnLive’s Micro Console TV Adapter unit) over the network. Mac users also stand to benefit in particular from a service like OnLive, in that many PC titles never get released on the Mac or are only ported long after release. Still, the service will face competition from Valve’s Steam, which recently announced native Mac support for its digital distribution platform and several of its popular titles.

OnLive does offer something fundamentally different, however — instead of downloading video game software to your local computer, OnLive keeps its games running in the cloud and users play them instantly across the network. Not only is the service disruptive in terms of consumer behavior, but could upset the existing supply chain by disintermediating retail stores and even in some sense consoles themselves.

If you’re interested in checking out OnLive in action, the company just expanded its beta program to accept another 25,000 users. Successful registrants will also be rewarded with three months’ worth of free service.

Are you interested in an on-demand video game service? Do you prefer to download and own your own digital game copies a la Steam or does a cloud-based streaming service appeal to you? Is $14.95 a reasonable price for a monthly subscription?

Reviews: Steam

Tags: 2k games, cloud computing, EA, GDC, GDC2010, mac, onlive, pc, streaming, THQ, ubisoft, video games, warner bros

The first Lady Gaga song pack for the Rock Band music video game is coming next week. It will include the songs “Bad Romance,” “Just Dance,” “Monster” and “Poker Face.” You’ll be able to buy each song for $2 or all of them for $6.99.

Yes, “Paparazzi” and “LoveGame” are missing from the list, but this might be just the beginning of Rock Band’s Gaga content. Gaga is a hit in geek culture. She’s a spokeswoman for Polaroid. One hundred thousand Facebook users rallied to create and celebrate National Lady Gaga day. Twenty-five percent of Vevo’s 35 million visitors only watch Gaga videos. And her “Bad Romance” music video (which has almost 143 million views on YouTube) is loaded with gadgets like iPods, laptops, and Wii remotes.

Rock Band and Lady Gaga are already in the zeitgeist together. Last year, South Park ran a scene with Cartman performing Gaga’s “Poker Face” on Rock Band with his friends and it became a viral YouTube video. We’ve embedded it below. Have fun, and get this: This South Park version will be available for Rock Band, too!

You’ll be able to start bluffin’ with your muffin’ (or at least your suite of fake musical instruments) on the Xbox 360 and Nintendo Wii on Tuesday, March 16, and on the Sony PlayStation 3 the following Thursday, March 18.

South Park Does Lady Gaga in Rock Band

Reviews: Facebook, YouTube

Tags: celebrities, electronic arts, harmonix, Lady Gaga, music, playstation 3, PS3, rock band, South Park, video, video games, Wii, Xbox 360

We had a chance to step into MySpace HQ for a chat with new Co-Presidents Jason Hirschhorn and Mike Jones, who preside over the News Corp.-owned social network from a shared desk in Beverly Hills. The joint office speaks to how closely Hirschhorn and Jones are working together to create a unified vision of the future for the lately struggling MySpace, whose former CEO Owen Van Natta exited the company after only nine months in the hot seat.

Hirschhorn describes MySpace as a site that “lacked focus” as he and Jones were getting up to speed and learning about the business. He sees the pair’s role as instilling that much-needed focus as well as driving a re-imagination of the site from both a user interface perspective and in the development of new products. All of what we saw today on the near future of MySpace’s roadmap — into approximately fall of this year — is in service of the networks’ new overarching goal of promoting user discovery and self-expression.

MySpace Strategy

As Hirschhorn (pictured, right) describes it, MySpace’s trajectory moving forward is about the “pillars of broadcasting, discovery, self-expression, and making content a part of all those experiences.” He spoke to quality, usability and engineering as major focal points: “We want as many people here to be people who build, and who create, and who have top-notch engineering talent.”

Jones relates that metrics have become a core mantra for the company as well: “If someone’s inside the company, we want to give them complete transparency in regards to what they’re working on it, why they’re working on it, why it’s important, and if what they did actually came to a good effect.” The company has effectively retooled the way the business works to make data a huge driver, including implementing very specific new product rollouts, user testing and full-circle evaluation of how changes affect user behavior.

But beyond instilling a level of discipline regarding the process of implementing user interface changes and building new products, at the end of the day Hirschhorn says MySpace is about “music that you love, the photos that you love, the video that you love, and the artistic stuff that goes on every day that says that you’re you. Those are the pillars of how we’re going to be building our product.”

Social Network or Destination?

We asked Hirschhorn and Jones whether they envisioned MySpace as needing to cultivate its roots as a social network versus crafting the site as more of a destination around premium content, and the answer essentially is both. “You need to be a platform where your audience has a voice,” even as culture constantly shifts and changes, said Hirschhorn. “I think a lot of people say ‘content portal’ — it isn’t just about putting up channels that broadcast this stuff one-to-many. It’s about putting up a platform that’s totally accessible to anyone that creates content, whether it’s big media or not.”

Jones (pictured, left) agrees that “going back to the roots of what made MySpace MySpace early on is important. “I think at some point it lost its way, and we’re basically just tying it back to that. I don’t think it’s a decision of content site or social network — people are doing things that are very social within MySpace, and they’re doing things that are social in other environments too. There’s a type of user, there’s a type of relationship that MySpace is really, really good at, there’s a type of environment around discovery that we’re really good at, and it’s about embellishing that.”

Hirschhorn acknowledges that MySpace is “centered around pop culture topics” that resonate with the primarily 14-34- year-old demographic (“and a very sweet spot in the 18-24 demographic”), “So while you could share your thoughts about the elections in Iraq it might not be the place that you do that — but you’ll certainly talk about what went on in The Hurt Locker and what dress Sandra Bullock wore, and that crazy lady who ran onto the stage during the Academy Awards. That is a part of the pop culture conversation that goes on every day, and also a place we feel we can win at.”

Twitter and Facebook: Competitors or Coopetition?

We asked if the co-presidents saw social networks like Twitter and Facebook as competitors, or whether they thought there was room enough in the market to allow a multiplicity of sites to flourish. Jones sees ample space for many social sites: “I think there’s room for all the players. I think at the end of the day there’s not going to be a direct overlap saying ‘this is the exact behavior on MySpace or FB or Twitter’ — there’s always going to be some crossover. I don’t think it’s a winner take all because I don’t think it’s a singular behavior we’re all trying to capture.”

Hirschhorn agrees: “The reality is there are people on there with accounts on both. When you’re as big as 100 million or 200 million users you seem to have a little bit of everybody.” He says that after seeing commonalities with Twitter and doing a simple integration deal allowing MySpace users to sync the two accounts, “All of a sudden we started to see people back on MySpace we hadn’t seen in a while.”

He sees a certain level of platform agnosticity as being a necessary attitude when operating online: “I think that if you want to maintain a presence online, you have to think cross-carrier or cross-network. When you and I were coming up, SMS didn’t take off until it was cross-carrier. To think that your audience is only going to be on one network is silly. It’s very important for us to be cross-networked, and to make sure that if you’re someone who is managing your presence on MySpace that you can also publish into Twitter, and you can go into Facebook, and if you’re creating a playlist and you want to distribute it into Facebook, that’s great.”

Future Roadmap: Profile Changes

We were shown a number of elements from the upcoming re-imagination of the user interface, primary among them being changes to profile pages. Users will still have control over customizing the look and feel of their profile (“They’ll actually have better tools,” says Jones), but there will be more unification to the underlying structure and framework behind profile organization in order to make a better, more cohesive experience for users in terms of site navigation.

Hirschhorn says that customization is obviously valuable but “has to work within a usable framework. And that is going to be a religion for us. It can’t be homogenized, it still has to be ‘let your flag fly,’ but there has to be a certain kind of structure to it. And that’s a very, very important point for us going forward.”

He acknowledges the dual blessing and curse of the original wide open profile customization: “Giving them that control had a real impact on the usability of MySpace. So the real mission we laid out to the staff was how do we give them the visual control but still maintain a certain kind of architecture in how you browse through the site.” The new profiles will bring a unity to the overall experience while still allowing the “crazy and fun” level of self-expression users came to know and enjoy about the site.

Publishing and The Stream

In the past, you couldn’t do things like publish videos or other types of content directly into the Stream, but the vision is to allow all types of content. Moreover, you’ll be able to filter the contents of your stream by type, so you can view only videos or see just the links, for example. The MySpace Share mechanism will handle incorporating content from all over the web directly into the Stream, both via buttons webmasters can incorporate within their sites and as a browser bookmarklet that allows sharing content just as easily even if the buttons aren’t specifically included.

Currently in testing now is a change to the former status update tool into an explicit publishing tool, allowing users to simply add videos, photos, links, and other types of content. Within the next month we should expect to see a new feature that allows cross-posting to sites like Twitter, Facebook and Digg via a simple dropdown. “Why not? Publish once, go everywhere. If you increase publishing, you increase engagement,” said Hirschhorn of the upcoming feature.

Dashboard and Reputation

Back in October, MySpace launched an Artist Dashboard tool (pictured below) as part of the MySpace Music hub for musicians and bands. We’ll be seeing that tool become available for users as well, with the goal of providing a visually-rich view into the “ripple effect” of a user’s activity on MySpace. Imagine being able to get statistics back on what your most popular shares are, who is reacting to what you’re publishing and where they are, and all manner of metadata about what kind of user you are on the site and the effects of your activities there.

Closely related to that will be a system of achievements and badges that users can display on their profile to show off what type of users they are, whether it be someone with the most shared playlists or someone who spots trends early on and more. This creates a cycle of feedback and recognition to the user, as well as providing an additional layer of self-expression and identity driven by the data surrounding how that user is actually interacting with MySpace.

We were shown bright, friendly icons for potential badges that anyone who has used Foursquare will recognize as familiar, and this particular part of the strategy certainly recalls mechanics like Xbox Live achievements or PS3 trophies as well. The idea is to add game-like elements that not only are fun but also give recognition back to the user in a playful visual style: “That’s what the future of MySpace is going to look like. It’s not going to be bland and data-oriented; it’s not going to look like chaos like it does today. It’s going to be fun and tactile,” said Hirschhorn.

Trends

Hand in hand with data visualizations in your Dashboard, another new featured area to look for in the near future is a way to identify trends. Here too we should expect to see bright and visually-engaging ways to find out where the hotbeds of activity are around MySpace, whether it be a hot conversation thread or new movie trailer or new album stream. Trends will be tracked in real-time and be based on what’s being most shared, most talked about, and generating the most activity around MySpace at any given time.

Those trends will also be able to be broken down very atomically by various indices like region and demographics, so you might be able to drill down very specifically into data points like “what is the most popular album among teenagers in New Jersey,” for example. This level of detail is another example of how data-driven some of the new features will be as well as how much of that internal data will be open and transparent to users, but ideally in a way that’s more visually attractive and accessible as opposed to your typically dry charts and graphs: “I want something more visual. I want it to be visually cool,” said Hirschhorn.

Liking and Interest Maps

In addition to friending (a bi-directional relationship) and following or subscribing, a new “Liking” mechanism will emerge in the future as one part of a system that will start to understand more about you. This hints at a still nascent element that will likely play a much larger role in MySpace’s strategy moving forward, which is about learning specifically what you like and changing your experience over time to be more customized.

Hirschhorn said of the Liking mechanism that it “starts to build preferences that ultimately are going to build up who you are in our database so we can deliver you better experiences. They don’t change your user experience overtly in front of you but they’re going to behind the scenes. That will be both passive and active. That’s a discipline I don’t think we’ve had here, but it breeds engagement and action on the site.”

In the long-term, the goal is to build up “interest maps” based on what users have liked and gravitated towards in the past, although the eventual personalization engine will also have to be wide enough to allow for new things and new experiences. “Discovery has to be wider than what you think you want,” and won’t be just about matching a stated set of preferences but also about allowing for serendipity and for new types of content to be exposed to you based on elements including what your social network is actively interested in.

More Features, and When Will We See Them?

Other new features we were shown included a big visual and thematic update to the Calendar application, which will gain the ability to sort and filter by type of event like concerts, movies, etc. The calendar will be culture-based and have a strong local component, so users can drill down in a visually accessible way to pop culture and entertainment-oriented events nearby.

Apps and games will also see significant development in the coming months, with the goal of increasing audience usage from the current 20-30% participation to something more like 50%. Mobile development will also be hugely important, with iPhone and Android (app pictured, right) being the biggest platforms, although currently mobile usage is “overwhelmingly” not smartphone users yet. “The iPhone is gaining very quickly,” though, says Hirschhorn.

We should also expect to see a better introduction to MySpace for new users, who will get recommendations in terms of friend and content suggestions upon creating an account on the site. This will give new users a place to start from even if they don’t yet have any friends.

Topic pages will be another new feature that will pull in content from around MySpace but also from Twitter, YouTube and all over the web where it’s happening surrounding a particular topic, movie, celebrity, or other entity people are talking about online. This starts to organize existing content around user interest specifically as opposed to relegating content discovery to specific content hubs in music, movies, etc.

Lastly and perhaps more importantly: When will we be seeing all of these new plans come to fruition? The answer is incrementally, as features become ready — as opposed to saving everything up for one big launch. “I don’t think the world wants to wait for a redesign and also, those days are over. One hundred million people use this every day, and you can’t just freak out and pull the tablecloth off,” said Hirschhorn of the decision to roll out incremental updates, changes, and new MySpace features.

In other words, if you’re curious about how all the above is actually going to be implemented, you likely won’t have to wait too long. From what we saw today, there’s a lot on the plate for MySpace in the coming months, and we should expect to see a lot of changes coming soon. Will it be enough to restore the social network to its former glory, and put MySpace back on a path of growth and leadership in the social networking space? Only time will tell, but if Co-Presidents Jason Hirschhorn and Mike Jones are able to successfully execute the vision they’ve laid out, it’s perhaps reasonable once again to be optimistic about the future of MySpace.

Reviews: Android, Digg, Facebook, Foursquare, MySpace, Twitter, YouTube

Tags: Film, interview, Jason Hirschhorn, Mike Jones, music, myspace, social media, trending, tv

Palm has announced the beta release of its Plug-in Developer Kit — or PDK — a new component in the webOS SDK that will make for dramatically better gaming on the Palm Pre, Palm Pixi and all future webOS devices.

Originally announced back in January at the CES show, the release’s venue — the ongoing Game Developers Conference in San Francisco — is as much an indication of Palm’s gaming ambitions for its platform as the release itself.

The PDK now lets developers use C and C++ and the OpenGL ES graphics API for 3D graphics and means, in Palm’s words, that developers who have built games for other platforms can now bring their titles to the webOS platform.

Put even more simply, it’s a way of luring developers to the webOS platform offering an easy way to convert iPhone games, for example, to work on Palm handsets, therefore bolstering the webOS’s available apps with popular titles from other platforms.

Thanks to early access to the PDK, some developers (EA Mobile, Gameloft, Glu Mobile and Laminar Research) are already offering 3D titles via the Palm App Catalog, however new games created with the public beta PDK won’t actually work on Palm phones until a webOS update is pushed out some time “during the middle of the year”.

Those on the dev side of the fence can head over to the Developer Portal and download the Palm webOS PDK now.

Tags: games, palm, webOS